
Le Palais de Justice, vu du Pont Notre-Dame
LEPERE, Auguste
Color woodcut printed with water-based color in Japanese manner, on thin laid japan paper, 1889. Ref: Lotz-Brissonneau 203. Edition of 30. Very sc...
View full detailsColor woodcut printed with water-based color in Japanese manner, on thin laid japan paper, 1889. Ref: Lotz-Brissonneau 203. Edition of 30. Very sc...
View full detailsLe Ruisseau des Gorges or Les Rochers (original French title) Lithographic transfer of an etching, on chine-collé, as the artist was prone to doi...
View full detailsToits et Palais à Florence (original French title) Color woodcut, printed to mimic a watercolor, on japon wove paper.Reference: BN-IFF 5. Edition o...
View full detailsColor lithograph on wove paper, c. 1900. References: BN-IFF 82-2. Likely from an edition of 20 or 25 impression. Extremely scarce. This is only the...
View full detailsLithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsPencil, ink, and watercolor sketch on thin wove paper. Initialed in pencil, lower left. With an unidentified butterfly collector's mark in the lo...
View full detailsEtching on very thin laid Japan paper. Reference: Czestochowski 304.Signed and titled "Art Palace 4 Millions" in pencil.
Bach im Winter (original German title) Color woodcut on wove paper. Published by "Der Gesellschaft für vervielfältigende Kunst", Vienna.Printed by ...
View full detailsHofkirche Innsbruck (original German title) Color woodcut on Japan wove paper.Signed and annotated "Handdruck" in pencil.
Sterbezimmer im Goethehaus (descriptive German title) Color woodcut on laid Japan paper, circa 1913.Reference: Staatliche Kunstsammelung Dresden in...
View full detailsArbeitszimmer im Goethehaus, Weimar (descriptive German title) Color woodcut on laid Japan paper, circa 1913.Reference: Staatliche Kunstsammelung D...
View full detailsColor mezzotint on wove paper. Edition of 150. Signed and numbered in pencil.Very faint discoloration in the margins; unobtrusive.
Color mezzotint on wove paper. "Hors Commerce" proof, aside from an edition of 100.Signed and annotated in pencil. Very faint discoloration in the ...
View full detailsEtching on thick cream wove paper. Monogrammed TN and dated "99" in the lower left plate corner.Blindstamped KUNST lower left corner of sheet.
Etching on thin wove paper. Reference: Beraldi 1; Villet 1. Seemingly a first state; definitely before letters and before the plate started to dark...
View full detailsLithograph on wove paper. Edition of 12.Agnes Tait's output wasn’t large and most of her editions were small. This is an extremely scarce lithograp...
View full detailsColor woodcut, with some mica ink, and with raised embossed elements on white chine-collé paper. Reference: Maki catalog - Tretiak #195. This print...
View full detailsEmbossed color woodcut with gold highlights. Reference: Maki catalog – Tretiak #763.Edition of 230. Signed, titled, dated, and numbered in pencil.
Woodcut on thin laid Japan paper. Artist's proof, aside from the edition of 150. This print is scarce, as are many of Hnizdovsky's prints. Signed, ...
View full detailsLithograph on wove paper, circa 1969. Edition of 150, yet surprisingly scarce.Signed and numbered in pencil.
Color woodcut on thin laid Japan paper, no date.Edition unknown. Seemingly scarce. Signed in pencil. Very small rip in the top right sheet edge; mi...
View full detailsMädchenporträt mit Zöpfen (descriptive German title) Etching and drypoint on thick wove paper. Edition unknown, but likely scarce. We have encounte...
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