The Poacher, Dunes of Saint-John-of-the-Mount
LEPERE, Auguste
Le Braconnier, Dunes de Saint-Jean-de-Mont (original French title) Printed with water based inks on thin laid japon paper.Reference: Lotz-Brissonne...
View full detailsLe Braconnier, Dunes de Saint-Jean-de-Mont (original French title) Printed with water based inks on thin laid japon paper.Reference: Lotz-Brissonne...
View full detailsLes Affiches Illustrées (original French title) Color lithograph printed on smooth wove paper.References: Bibliotheque Nationale - IFF 761, not in ...
View full detailsPrincesse Maleine (original French title) Lithograph printed on wove paper.Proof, aside from the numbered edition of 30.Composition based on the pl...
View full detailsFemme Nue à la Feuille Bleue (original French title) Coor lithograph printed on Arches laid paper.Edition of 40.Signed and numbered "12/40" in penc...
View full detailsEtching on laid paper. Reference: Malassis et Thibaudeau 223 ii/v. One of 6 in this state, according to the Bliss Collection catalog. But also anno...
View full detailsColor aquatint on wove paper. Edition of 50. Signed, titled, and numbered in pencil.
Pour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
View full detailsBlack crayon, colored pencil, and pastel on wove paper. Unrelated to any print by the artist; likely an idea that never really went any further, th...
View full detailsEtching and aquatint over heliogravure (photogravure) on simili-japon wove paper. Reference: Exsteens 783. Plate 1 from Les Sataniques. There is a ...
View full detailsLithograph on thin beige wove paper.Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it...
View full detailsEtching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsPencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
View full detailsBlack crayon and watercolor on tan laid paper.This is a preliminary drawing for a color woodcut on page 53 of Paysages et Coins de Rues, Jean Riche...
View full detailsPencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsVieux Chevalier (original French title) Lithograph on chine collé on wove paper. Reference: Mellerio 158 Edition 100. Published by Ambroise Vollard...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Hélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
View full detailsL'Éducation du Chien ou Dans la neige (original French titles) Lithograph printed in four colors on wove paper, 1893.References: Salomon 10; Stein ...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsEtching on wove paper.Reference: Retif & Salzer 19.Stated edition 100, but likely not completed. Extremely scarce. We have not found another im...
View full detailsEn Bretagne, Eaux-Fortes et Lithographies par Maufra (original French title) Color etching & aquatint on wove paper, 1894.Refs: BN-IFF 11.2; Ca...
View full detailsLa Promenade or Les Cypresses or Les Cyprès (original French titles) Color lithograph printed on chine collé.Reference: Una Johnson 27.As published...
View full detailsEtching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
View full detailsWood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
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