Vermont
ARMS, John Taylor
Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
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Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
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Etching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
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Etching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...
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Etching printed over an additional tone plate on wove paper. References: Guiffrey 73; BN-IFF 136. Corners torn off, and with a few tears in the sh...
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Etching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4. One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...
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Etching and aquatint printed in brown ink on laid paper. Reference: Deltiel:12, 6th and final state. Very likely a lifetime impression printed by h...
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Pour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
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Etching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
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Etching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
Etching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
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O Laborum, Dulce Lenimen (original Latin title) Etching and drypoint on laid Rives paper.Refs: Schneiderman 8; Harrington 94; Drake 84.Titled and s...
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Le Nouveau-Né (original French title) Etching on laid simili-Japan paper, 1886.References: Beraldi 786; BN-IFF 427.After a composition by Jean-Fran...
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Etching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
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Paysage en Toscane (original French title) Etching on laid paper, no date.Reference: Bertin 542.Signed in pencil, and bearing the artist’s red mono...
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Deux Martyrs (Honfleur) (original French title) Etching, aquatint, and burnisher on laid Arches paper.Ref: Bertin 188. Only one known state.Signed...
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Aquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
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Labor or Le Paysan à la Houe (original titles) Etching on parchment (also known as vellum).References: Beraldi 345; BN-IFF 390.After a composition ...
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Petit Café à Soldats (original French title) Color drypoint and aquatint on laid Arches paper, c. 1906.Ref: BN-IFF 38-116.From the loosely associat...
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Le Ruysdaël or Chemin en Forêt (original French titles) Etching on chine-collé on thick wove paper.References: Beraldi 88, BN-IFF 109.This etching ...
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La Dame en Noir (original French title) Etching on old laid paper.Reference: Delteil 97 iii/iii. Third and final state.Edition unknown, but probabl...
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Ex-Libris pour l'Ensorcelée (original French title) Etching printed in black on thin laid paper.Reference: Bourcard & Goodfriend 116.Third and ...
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L’Auberge des Trois Corbeaux (original French title) Etching printed on japon paper, 1877.Reference: Wentworth 29 i/iii.From the edition of 50 with...
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