Santa Maria della Salute
SMITH, Jules Andre
Intaglio (etching, maybe also engraving and drypoint) on thin wove paper.Edition unknown, probably not very large.Signed in pencil, and titled in t...
View full detailsIntaglio (etching, maybe also engraving and drypoint) on thin wove paper.Edition unknown, probably not very large.Signed in pencil, and titled in t...
View full detailsVieille Mendiante a l'Eglise (original French title) Soft-ground etching and drypoint printed in two tones on laid paper. Reference: Tabanelli 53 ...
View full detailsEntrée des Vices dans la Ville or Les Vices Entrent dans la Ville(original French titles) Lithograph printed on wove paper.Edition unknown, likely ...
View full detailsWoodcut printed in black ink on thin laid Japanese paper.Reference: Turzak 22.Edition of circa 50 or less.Signed and titled in pencil.
Woodcut printed in black ink on thin laid Japanese paper, circa 1929-31.Reference: Turzak 22.Edition of 50.Signed, titled and numbered in pencil.
James SWANN (1905-1985) Night in Chicago Drypoint on wove paper.Reference: Czestochowski 105.Published by Chicago Society of Etchers (with their bl...
View full detailsGondel met Opbouw in het Canale Grande, Venetië (original Dutch title) Etching and aquatint on simili-Japan wove paper.References: De Groot 181; Bo...
View full detailsAquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsColor aquatint, etching, and engraving printed on wove BFK Rives paper.Artist’s proof. No stated edition has been identified, and it is unlikely t...
View full detailsLithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
View full detailsColor aquatint and etching printed on light-gray BFK Rives wove paper. Edition of 65, published by Cavalliero – Rouland, New York & Paris. Sign...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Ink wash with touches of white gouache, watercolor, and crayon or chalk, drawn on the verso of a sheet of thin wove paper, with a French architectu...
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