Lover’s Embrace
SEWELL, William
Lithograph on Rives wove paper. No stated edition, and scarce. It isn’t clear that any editions were ever printed for any of the artist’s few litho...
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Lithograph on Rives wove paper. No stated edition, and scarce. It isn’t clear that any editions were ever printed for any of the artist’s few litho...
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Color carborundum and/or collagraph on thick wove paper. Trial proof. There was seemingly no edition of this print. We can find neither another imp...
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Lithograph printed in two colors on wove paper. Artist’s proof, aside from an edition of 100. An elegant outline drawing in black is overlaid with ...
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Lithograph printed in two colors, profusely hand colored with wax pencils on wove paper. Artist’s proof. It seems unlikely that an edition was ever...
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Lithograph printed in two colors on wove paper. Artist’s proof. It seems unlikely that an edition was ever printed of this work. The artist drafted...
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Wood engraving on thin wove Japan paper. Printed as a New Year’s greetings card for Bertram and Ethel Reibel. The portfolio is included.Signed in p...
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Wood engraving on thin wove Japan paper.Printed as a New Year’s greetings card for Bertram and Ethel Reibel. The portfolio is included.Signed in pe...
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Wood engraving on thin wove Japan paper. Printed as a New Year’s greetings card for Bertram and Ethel Reibel. The portfolio is included.Signed in p...
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Ink drawing on wove paper. An outline drawing, somewhat unusual for Mosca, who liked to shade his subjects. This ink composition is indebted to ear...
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Colored pencil and graphite on thick smooth wove paper. In the lower left sheet corner, August Mosca annotated that this drawing was made after a r...
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Etching, drypoint, and roulette on wove paper. Edition unknown, but likely small, if one was printed at all.Signed in pencil. Faint line of discolo...
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Color mezzotint on wove paper. Edition of 150. Signed and numbered in pencil.Very faint discoloration in the margins; unobtrusive.
Color mezzotint on wove paper. "Hors Commerce" proof, aside from an edition of 100.Signed and annotated in pencil. Very faint discoloration in the ...
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Etching on thick cream wove paper. Monogrammed TN and dated "99" in the lower left plate corner.Blindstamped KUNST lower left corner of sheet.
Embossed color woodcut with gold highlights. Reference: Maki catalog – Tretiak #763.Edition of 230. Signed, titled, dated, and numbered in pencil.
Porträt einer alten Frau (descriptive German title) Etching on thick wove paper. Edition unknown, but likely scarce. We haven’t encountered another...
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Etching on laid paper. Referencess: Delteil 10; BN-IFF 443.Final state, with the crest.
Dual-tone wood engraving on wove paper. Reference: Smith R-77.Exact edition unknown, but less than 200.Published by American Artists Group, New Yor...
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White Line 白い線 (original Japanese title) Woodblock print, color woodcut on Japan paper.Edition of 50. It seems the artist revisited this compositio...
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Etching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...
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Jeune Faune au Cactus Jouant de la Flûte de Pan (descripive French title) Aquatint and etching printed in two tones on wove MBM paper, circa 1910. ...
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Engraving on laid Monval verdâtre (light greenish-blue) paper. Reference: Tonneau-Ryckelynck & Plumart 185. Plate 6 from the series "Animaux".P...
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Color woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
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Intérieur Flamand (original French title) Etching on chine-collé, circa 1856-1866. Reference: Van Gelder 86, BN-IFF 32. Dates for this etching, ...
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