Landscape
DULAC, Charles
Paysage (original French title) Lithograph printed in four colors on chine-collé on wove paper.Reference: Stein & Karshan 22.Published by L’Est...
View full detailsWhen lithography was invented (circa 1796 by Aloys Senefelder), initial users could scarcely fathom what would come of the technique. As a matter of fact, for the first few decades of its existence only a handful of artists used it in a truly creative way. It was mostly used as a means to reproduce accurately. It took a few decades for lithographs as artistic objects to gain some recognition, and another few for color to become part of that canon. Initially used for ephemera, such as announcements, color lithography quickly became the technique of commercial poster production. Fine art color lithography took a little while longer to develop. The first artists to really use lithography in color to express themselves were Henri de Toulouse-Lautrec and René Georges Hermann-Paul, circa 1890. But just a few years later, the recognition they had fought for was gained, and a plethora of artist all over the Western Hemisphere were practicing this most flexible of artistic printmaking technique. Here are some of the great examples we have found over the years.
Paysage (original French title) Lithograph printed in four colors on chine-collé on wove paper.Reference: Stein & Karshan 22.Published by L’Est...
View full detailsCarte de Voeux 1917 (original French title) Reference: Fields 371.Edition unknown, certainly small.With letters.Very fine impression in excellent c...
View full detailsCarte de Voeux 1907 (original French title) Reference: Fields 366.Edition unknown, certainly small.With letters.Very fine impression in excellent c...
View full detailsLa Divine Palmeraie (original French title) Possibly also titled Le Puits des Eaux Vivante (The Well of Fresh Water, from the Song of Songs) (?). L...
View full detailsAnxiété (original descriptive title) Color lithograph printed on smooth wove paper.As published by Art et Décoration. From what was certainly a si...
View full detailsFroideur (original descriptive title) Color lithograph printed on smooth wove paper, circa 1897.As published by Art et Décoration. From what was c...
View full detailsAmour : douze lithographies en couleurs (original French title) Color lithograph printed on thin wove chine paper.Reference: Cailler 107.Title page...
View full detailsLithograph printed in bistre and with the first sky variant in black, printed on chine mounted on wove paper. Plate 4 with the snake remarque (FR: ...
View full detailsLithograph printed in bistre and a rose tint on white paper mounted on thick simili-japon paper.Plate 5, with the Wheat Heads remarque (FR: épis de...
View full detailsColor lithograph on smooth wove paper, 1896.Refs: Aitken & Josephowitz 33; Boyer 53 (plate 31).Theater program. Very scarce.Used for a play at...
View full detailsL’Averse (original French title) Lithograph printed in color on smooth wove paper, 1902.Reference: Fields page 77.Plate 7 from the series titled La...
View full detailsA Travers Champs (original French title) Color lithograph printed on China paper.From the portfolio Landscapes and Interiors - Paysages et Intérieu...
View full detailsOude Kraai (original Dutch title) Color lithograph on chine-collé.Reference: De Groot 155.1.An artist proof, aside from the edition as part of the ...
View full detailsLe Vieux Moulin à Loguivy (original French title) Lithograph printed in 12 colors on smooth wove paper.References: Fields page 79; Le Stum page 80...
View full detailsL'Éducation du Chien ou Dans la neige (original French titles) Lithograph printed in four colors on wove paper, 1893.References: Salomon 10; Stein ...
View full detailsStella Matutina (original Latin title) Lithograph printed in two tones on chine collé on wove paper.Reference: BN-IFF 2.Plate 3 for the set of 9 co...
View full detailsLithograph printed in light gray and sepia on wove paper.Plate 5 with the "Wheat Head" remarque, from the series of 8 prints for the portfolio titl...
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