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The Devine Palm Grove
DULAC, Charles
La Divine Palmeraie (original French title) Possibly also titled Le Puits des Eaux Vivante (The Well of Fresh Water, from the Song of Songs) (?). L...
View full detailsWhen lithography was invented (circa 1796 by Aloys Senefelder), initial users could scarcely fathom what would come of the technique. As a matter of fact, for the first few decades of its existence only a handful of artists used it in a truly creative way. It was mostly used as a means to reproduce accurately. It took a few decades for lithographs as artistic objects to gain some recognition, and another few for color to become part of that canon. Initially used for ephemera, such as announcements, color lithography quickly became the technique of commercial poster production. Fine art color lithography took a little while longer to develop. The first artists to really use lithography in color to express themselves were Henri de Toulouse-Lautrec and René Georges Hermann-Paul, circa 1890. But just a few years later, the recognition they had fought for was gained, and a plethora of artist all over the Western Hemisphere were practicing this most flexible of artistic printmaking technique. Here are some of the great examples we have found over the years.
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La Divine Palmeraie (original French title) Possibly also titled Le Puits des Eaux Vivante (The Well of Fresh Water, from the Song of Songs) (?). L...
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Anxiété (original descriptive title) Color lithograph printed on smooth wove paper.As published by Art et Décoration. From what was certainly a si...
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Maurice DENIS (French, 1870-1943): Couverture pour l'Amour, 12 lithographies (original French title) Color lithograph on thin wove chine paper, 189...
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Gustave LEHEUTRE (1861-1932) Le Repos (original French title) Lithograph printed in four colors on laid japon paper, 1896.References: Delteil 134; ...
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Buveuse d’Absinthe (original French title) Color lithograph printed on white wove paper, 1894.Reference: BN-IFF 61.Edition unknown, but certainly s...
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"La Mée (Eure-sur-Loir)" Color lithograph on chine-colle, 1897.Ref: Bibliothèque Nationale - IFF 27.Total edition of 60, of which 20 with remarque....
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Sur le canapé d’argent pâle (original French title) Color lithograph on thin wove chine paper.Reference: Cailler 117; Una Johnson 32.Tenth plate fr...
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Le Chevalier n’est pas mort à la croisade (original French title) Color lithograph on thin wove chine paper, 1898.Reference: Cailler 112; Una Johns...
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Couverture pour “Album des Enfants” Color lithograph printed on smooth wove paper.Reference: Armond Fields 120.Trial proof of a cover for song shee...
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Lithograph printed in bistre and with the first sky variant in black, printed on chine mounted on wove paper. Plate 4 with the snake remarque (FR: ...
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Lithograph printed in bistre and a rose tint on white paper mounted on thick simili-japon paper.Plate 5, with the Wheat Heads remarque (FR: épis de...
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Lithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
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Nous Saurons Nous en Priver (original French title) Lithograph printed in three primary colors on tan commercial poster paper. World War I propaga...
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Le Vieux Moulin à Loguivy (original French title) Lithograph printed in 12 colors on smooth wove paper.References: Fields page 79; Le Stum page 80...
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Les Deux Belles-Soeurs (original French title) Color lithograph printed on China paper, 1899.References: Roger-Marx 43; Una Johnson 155.From the po...
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La Promenade or Les Cypresses or Les Cyprès (original French titles) Color lithograph printed on chine collé.Reference: Una Johnson 27.As published...
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