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Interior with Suspension Lamp
VUILLARD, Edouard
Interieur a la Suspension (original French title) Reference: Roger-Marx 35.Edition of 100.From the series "Paysages et Interieurs".Published by Amb...
View full detailsWhen lithography was invented (circa 1796 by Aloys Senefelder), initial users could scarcely fathom what would come of the technique. As a matter of fact, for the first few decades of its existence only a handful of artists used it in a truly creative way. It was mostly used as a means to reproduce accurately. It took a few decades for lithographs as artistic objects to gain some recognition, and another few for color to become part of that canon. Initially used for ephemera, such as announcements, color lithography quickly became the technique of commercial poster production. Fine art color lithography took a little while longer to develop. The first artists to really use lithography in color to express themselves were Henri de Toulouse-Lautrec and René Georges Hermann-Paul, circa 1890. But just a few years later, the recognition they had fought for was gained, and a plethora of artist all over the Western Hemisphere were practicing this most flexible of artistic printmaking technique. Here are some of the great examples we have found over the years.
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Interieur a la Suspension (original French title) Reference: Roger-Marx 35.Edition of 100.From the series "Paysages et Interieurs".Published by Amb...
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Les Affiches Illustrées (original French title) Color lithograph printed on smooth wove paper.References: Bibliotheque Nationale - IFF 761, not in ...
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Une Galerie au Gymnase (original French title) Reference: Roger-Marx. 48.Third state of three.Edition of 100.Appeared in the Insel album, published...
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Les Affiches Etrangères Illustrées (original French title) Lithograph printed on japon paper.From a small deluxe edition on real japon paper, very...
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La Vitrine de Sagot or Adresse Sagot (original French titles) The Sagot Address or Sagot’s Lithography Gallery (alternate English titles) Color lit...
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La Visitation à la Villa Montrouge (original French title) Color lithograph on smooth wove paper.Reference: Cailler 94; Una Johnson 30.Plate from L...
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Lithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
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La Patisserie (original French title) Color lithograph printed on China paper. Reference: Roger-Marx 41. From the portfolio Paysages et Intérieurs...
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Coin de Rue (original French title) Color lithograph printed on thin wove paper.Reference: Bouvet 60. Edition of 100. From the artist’s famous ser...
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Le Vieux Moulin à Loguivy (original French title) Lithograph printed in 12 colors on smooth wove paper.References: Fields page 79; Le Stum page 80...
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Les Deux Belles-Soeurs (original French title) Color lithograph printed on China paper, 1899.References: Roger-Marx 43; Una Johnson 155.From the po...
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Cartes Postales Artistiques (original French title) Color lithograph, poster, printed on thin wove paper, linen-backed, 1898. Published by "Dietric...
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Stella Matutina (original Latin title) Lithograph printed in two tones on chine collé on wove paper.Reference: BN-IFF 2.Plate 3 for the set of 9 co...
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Color lithograph on thin wove paper. Reference: Fields 378. New Year's which the Auriol household did for about two decades. This one a color trial...
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Sur la Plage (original French title) Color lithograph on Rives wove paper. Published by "Société des Peintres-Graveurs Français", with their blind...
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