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The Café
LEGER, Fernand
Le Café (original French title) Color lithograph printed on Arches wove paper.Reference: Sapphire, pp 238-239 & 286-87.Plate 15, of the 29 comp...
View full detailsWhen lithography was invented (circa 1796 by Aloys Senefelder), initial users could scarcely fathom what would come of the technique. As a matter of fact, for the first few decades of its existence only a handful of artists used it in a truly creative way. It was mostly used as a means to reproduce accurately. It took a few decades for lithographs as artistic objects to gain some recognition, and another few for color to become part of that canon. Initially used for ephemera, such as announcements, color lithography quickly became the technique of commercial poster production. Fine art color lithography took a little while longer to develop. The first artists to really use lithography in color to express themselves were Henri de Toulouse-Lautrec and René Georges Hermann-Paul, circa 1890. But just a few years later, the recognition they had fought for was gained, and a plethora of artist all over the Western Hemisphere were practicing this most flexible of artistic printmaking technique. Here are some of the great examples we have found over the years.
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Le Café (original French title) Color lithograph printed on Arches wove paper.Reference: Sapphire, pp 238-239 & 286-87.Plate 15, of the 29 comp...
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La Tempête (original French title) Lithograph printed in color on smooth wove paper.Reference: Fields page 77.Plate 10 from the series of 16 lithog...
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Lithograph printed in 12 colors on smooth wove paper.Reference: Field pg 77.Plate 5 from the series of 8 lithographs titled Paysages Parisiens.Prin...
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Lithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
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La Patisserie (original French title) Color lithograph printed on China paper. Reference: Roger-Marx 41. From the portfolio Paysages et Intérieurs...
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Color lithograph on BFK Rives wove paper.Printed to the sheet’s deckled edge. Trial proof, aside from the edition. Edition unknown. Signed, titled,...
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Oude Kraai (original Dutch title) Color lithograph on chine-collé.Reference: De Groot 155.1.An artist proof, aside from the edition as part of the ...
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Le Vieux Moulin à Loguivy (original French title) Lithograph printed in 12 colors on smooth wove paper.References: Fields page 79; Le Stum page 80...
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Quelques Aspects de la vie de Paris (original French title) Color lithograph on wove chine paper. References: Bouvet 58, Johnson 10.Cover for the a...
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Lithograph printed in light gray and sepia on wove paper.Plate 5 with the "Wheat Head" remarque, from the series of 8 prints for the portfolio titl...
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Lithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
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Color lithograph on wove paper, c. 1900. References: BN-IFF 82-2. Likely from an edition of 20 or 25 impression. Extremely scarce. This is only the...
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La Vitrine de Sagot or Adresse Sagot (original French titles) Also titled The Sagot Address or Sagot’s Lithography Gallery (original French titles...
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Sur la Plage (original French title) Color lithograph on Rives wove paper. Published by "Société des Peintres-Graveurs Français", with their blind...
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