Frontispice
RIVIERE, Henri
Lithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
View full detailsLithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
View full detailsEtching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
View full detailsEtching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
View full detailsLithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsVery fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Paysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Color drypoint on simili-japon paper.Reference: Delteil 21 v/v.Edition of 100.Signed and numbered in pencil.
Couverture pour le Dîner des Cent Bibliophiles (original French title) Color photolithograph printed on Rives wove paper.Reference: Armond Fields 4...
View full detailsPlace de l'église St Pierre à Montmartre (alternate title) Color aquatint and soft-ground etching on laid japon paper. Reference: listed as missing...
View full detailsAngélique à Sa Porte (original French title) Soft-ground etching, etching, and aquatint on laid paper. Reference: Morane 15.We present two states o...
View full detailsRetour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
View full detailsFerme Bretonne au Soleil (French title) Etching and aquatint on laid Ch Wittman paper, no date. Reference: Morane 63. Titled “[La Ferme dans le so...
View full detailsEtching and aquatint on simili-japon paper. Reference: Morane 67.No edition. Scarce.
Quelques Aspects de la vie de Paris (original French title) Color lithograph on wove chine paper. References: Bouvet 58, Johnson 10.Cover for the a...
View full detailsColor lithograph printed on thin wove paper. References: Bouvet 69, Johnson 10-11.Edition of 100.From the artist’s famous series Quelques Aspects d...
View full detailsColor woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
La Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
View full detailsColor woodcut on thin laid paper.Artist’s proof. Edition unknown. Signed, titled, and annotated in pencil.
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