Juvisy – Paris
MONTAUD GAMY, Marguerite
Lithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
View full detailsLithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
View full detailsColor aquatint and etching on laid Van Gelder Zonen paper.Ref: not in BN-IFF. Edition unknown. A lovely and moody moonlit nighttime rendition of a ...
View full detailsLes Usines sous la Neige (original French title) Color drypoint and aquatint on simili-japon paper.Reference: Delteil 89. Second state of two. E...
View full detailsAvenue du Bois or Avenue Bois de Boulogne (original French titles)Lithograph on thin wove paper.References: Roger-Marx 59; Bouvet 57. Edition of 10...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsLithograph on white wove paper.Edition of 100. Numbered, titled, signed and dated in pencil. Very fine impression in pristine condition.
Lithograph on wove paper, n.d.Edition of 50.Signed and titled in pencil.Bearing “The Shealing – Danby, Vermont” drystamp (as well as an “E.F.L. dry...
View full detailsBateaux en Mer (original French title) Woodcut printed in olive-green on wove paper.Published by Société de la Gravure sur bois originale, with th...
View full detailsEtching on simili-japon paper, 1899.Edition unknown, but certainly not very large. It has become very scarce and rarely becomes available.Signed i...
View full detailsLithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
View full detailsEtching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
View full detailsEtching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
View full detailsLithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsVery fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Paysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Color drypoint on simili-japon paper.Reference: Delteil 21 v/v.Edition of 100.Signed and numbered in pencil.
Place de l'église St Pierre à Montmartre (alternate title) Color aquatint and soft-ground etching on laid japon paper. Reference: listed as missing...
View full detailsAngélique à Sa Porte (original French title) Soft-ground etching, etching, and aquatint on laid paper. Reference: Morane 15.We present two states o...
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