Nocturnal Landscape
DE FEURE, Georges
Le Paysage Nocturne (original French title) Lithograph printed in two tones on laid Japan paper. From the series "Bruges Mystique et Sensuelle". ...
View full detailsLe Paysage Nocturne (original French title) Lithograph printed in two tones on laid Japan paper. From the series "Bruges Mystique et Sensuelle". ...
View full detailsColor aquatint and etching on laid Van Gelder Zonen paper.Ref: not in BN-IFF. Edition unknown. A lovely and moody moonlit nighttime rendition of a ...
View full detailsAvenue du Bois or Avenue Bois de Boulogne (original French titles)Lithograph on thin wove paper.References: Roger-Marx 59; Bouvet 57. Edition of 10...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsLithograph on white wove paper.Edition of 100. Numbered, titled, signed and dated in pencil. Very fine impression in pristine condition.
Lithograph on wove paper, n.d.Edition of 50.Signed and titled in pencil.Bearing “The Shealing – Danby, Vermont” drystamp (as well as an “E.F.L. dry...
View full detailsBateaux en Mer (original French title) Woodcut printed in olive-green on wove paper.Published by Société de la Gravure sur bois originale, with th...
View full detailsMatinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
View full details"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
View full detailsLa Falaise - Baie de Saint-Malo Etching, drypoint, aquatint, roulette, printed in two tones on two sheets of paper, combined to make one compositio...
View full detailsColor aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
View full detailsLithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
View full detailsEtching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
View full detailsEtching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
View full detailsLithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Paysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
View full detailsLithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Color drypoint on simili-japon paper.Reference: Delteil 21 v/v.Edition of 100.Signed and numbered in pencil.
Retour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
View full detailsColor lithograph printed on thin wove paper. References: Bouvet 69, Johnson 10-11.Edition of 100.From the artist’s famous series Quelques Aspects d...
View full detailsColor woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
La Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
View full detailsSur les Berges de la Seine. (french title)Watercolor on thick wove paper.Signed “Eug Delâtre” and dated “31 août 95” in black pencil.
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