The Gallery of Notre-Dame in Paris
MERYON, Charles
La Galerie, Notre-Dame, Paris (original French title) Etching on laid paper.References: Schneiderman 29 (iii/vi), Delteil-Wright 26 (iii/v). Third...
View full detailsCharles Meryon (1821-1868), together with Eugène Bléry, is amongst the first artists to receive major recognition for their etchings in 19th century France. But while the latter was conservative in his subjects, Meryon was anything but. Meryon suffered from hallucinations and his work reflects a dark outlook on life. His etching, almost always pure line etchings, mostly show cities; the city or Paris in particular. In these cityscapes, shadows lurk and ominous birds circle the skies. However, these stylistic choices do not obscure his ability to select surprising perspectives and depict his moody scenes with finesse. He is today still very much recognized as the artist who pushed the greatest number of French artists to rediscover the phenomenal possibilities offered by etching.
La Galerie, Notre-Dame, Paris (original French title) Etching on laid paper.References: Schneiderman 29 (iii/vi), Delteil-Wright 26 (iii/v). Third...
View full detailsEtching with engraving on laid J Kool watermarked paper. References: Schneiderman 23 v/x; Delteil-Wright 28 v/x. Superb impression, before letters...
View full detailsEtching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
View full detailsEtching printed in dark brown ink on laid paper.Refereces: Delteil/Wright 29 iii/v; Schneiderman 24ii or iii/v.A rich impression of this early stat...
View full detailsEntrée du Couvent des Capucins Français à Athènes (original French title) Etching printed on laid paper, 1854.References: Delteil 61, Schneiderman ...
View full detailsEtching and drypoint on thin laid paper, 1852. References: Delteil-Wright 30; Schneiderman 25 iv/viii. A very fine, unrestored impression of the fo...
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