Chemin à la Lisiere d'un Bois avec Deux Personnages
BARON, Balthazar-Jean
Etching on thin wove paper, affixed in its four corners on a sheet of fibrous brown paper. Reference: not identified in BN-IFF, which mentions only...
View full detailsEtching on thin wove paper, affixed in its four corners on a sheet of fibrous brown paper. Reference: not identified in BN-IFF, which mentions only...
View full detailsEtching and aquatint on laid Arches paper. References: Beraldi 35; BN-IFF 79.The Bibliothèque Nationale mentions the existence of two states. Scar...
View full detailsEtching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsEtching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
View full detailsEtching on chine-collé on wove paper.References: Beraldi 5, BN-IFF 2-5.From a series titled Essais de gravure à l'eau-forte, published by Binois d...
View full detailsEtching printed in bistre on laid japon paper.Reference: Feltkamp 1894 - 001 /1. Very few impressions. We have only located one other one, printed ...
View full detailsEtching on laid paper.Reference: not in Delteil.Stated edition of 75, but unlikely.Signed and numbered in pencil. Very faint tone inside a prior ma...
View full detailsLithograph on thin beige wove paper.Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it...
View full detailsEtching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
View full detailsEtching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.
Etching and aquatint over heliogravure (photogravure) on simili-japon wove paper. Reference: Exsteens 783. Plate 1 from Les Sataniques. There is a ...
View full detailsAquatint, soft-ground, and etching on laid paper.Signed and annotated "Epreuve d'artiste" in pencil. Faint pale spots, mostly visible on the verso....
View full detailsEtching with engraving on laid J Kool watermarked paper. References: Schneiderman 23 v/x; Delteil-Wright 28 v/x. Superb impression, before letters...
View full detailsEtching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching. Large margins (tips of two co...
View full detailsEtching and false biting on laid paper.Reference: BN-IFF mentions that it is missing from the collection, volume IV, page 217.First impression of t...
View full detailsEtching on thin laid paper.Reference: BN-IFF 55. Plate from a set of prints titled Croquis hollandais et autres, published by Cadart that same year...
View full detailsLithograph on white wove paper (sur blanc).Reference: Delteil 595 ii/iii.From the first edition, when the series was issued by La Caricature, and t...
View full detailsMonotyped etching or drypoint, reworked in ink on laid paper.Reference: not in BN-IIF, which seems to have very little of Gabriel's etched oeuvre.U...
View full detailsEtching on laid japon paper.References: Jennings 52, Curtis & Prouté 56 i/ii, Jennings 52, BN-IFF page 150.First state, before letters publishe...
View full detailsEtching on chine-collé on this wove paper. References: Béraldi 162, BN-IFF 115. From the series titled Plantes variées gravées à l'eau-forte. Signe...
View full detailsEtching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....
View full detailsInk wash on wove paper (on the back of a Connecticut commercial product list).Signed with monogram stamp GIO in a circle (?).
Etching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
View full detailsEtching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
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