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Black & White

There is a misconception about works of art composed in so called "black and white".  It seems to some that this lack of color is somehow less desirable.  Yet artists throughout history have used single colors to focus on composition or on gradations from light to dark.  Without the distraction of color, these creative building blocks become more prevalent.  In this section, we challenge the viewer to focus on "monochromatic" (single-colored) compositions.  Chances are that by the time you have looked at a few works, your mind will hone in on details you don't usually notice, and that you may even start to "see" colors that aren't actually there.
Charles JACQUE - L'Equipage - detail
$315

L'Equipage

JACQUE, Charles

Etching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...

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Charles MAURIN - Street in Montmartre - Etching and aquatint - detail
$625

Street in Montmartre

MAURIN, Charles

Etching and aquatint on wove paper.  Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...

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Felix Buhot - Cochons au Soleil - second state - detail Sold
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Pigs in the Sun

BUHOT, Felix

Cochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...

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Felix Buhot - Le Hibou - detail - impression a l'essence
$8,300

The Owl

BUHOT, Felix

Le Hibou (original French title) Etching, aquatint, roulette, and drypoint on olive-greenish laid paper, 1893.Reference: Bourcard & Goodfriend ...

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Jacques VILLON - Le Potin - The Gossip - Aquatint and drypoint - 1904 - detail
$2,400

The Gossip

VILLON, Jacques

Le Potin (original French title) Aquatint and drypoint on wove paper. Reference: Ginestet et Pouillon 96. Undescribed state proof, between the firs...

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William J. PATTERSON - Sleep - Etching and aquatint - trial proof - detail
$250

Sleep

PATTERSON, William J.

Etching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...

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