The Secret
MEDEARIS, Roger
Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Wood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
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Etching on wove paper.Reference: Retif & Salzer 19.Stated edition 100, but likely not completed. Extremely scarce. We have not found another im...
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Hélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
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Drypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
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Pencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
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Etching on wove paper, touched up with pencil in the lower window frame. Small margins on the sides.
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Etching and drypoint on simili-japon wove paper.References: Béraldi 796; BN-IFF 420.From the series titled Six Fables de La Fontaine.After a gouach...
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Etching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
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Lithograph on thin beige wove paper.Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it...
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Etching and aquatint over heliogravure (photogravure) on simili-japon wove paper. Reference: Exsteens 783. Plate 1 from Les Sataniques. There is a ...
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Pour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
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Etching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
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Drypoint and direct bite on laid paper, 1900. Reference: Tabanelli 47. Second state of two.Total edition of 40 on a variety of papers, according to...
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Le Ramassage des Pommes (descriptive French title) Original drawing, pencil and pen and black ink, with tiny touches of orange on thin paper, laid ...
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Original drawing in watercolor, gouache, crayon, pen and ink on card stock wove paper, circa 1877. We add an impression of the etching, with drypoi...
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Le Peintre de Marine (original French title) Etching, aquatint, likely with touches of drypoint, on laid paper.Reference: Bourcard & Goodfriend...
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Le Petit Chasseur (original French title) Lithograph printed in brown-gray ink on tissue-thin paper, mounted on a thick support sheet, likely to pr...
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Matinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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Pluie et Parapluie (original French title) Etching, possibly with touches of drypoint, printed on laid paper (partial watermark suggesting Arches),...
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La Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
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La Ronde de Nuit (original French title) Etching, drypoint, and aquatint on laid paper, 1878.Reference: Bourcard & Goodfriend 70 i/iii. This i...
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Le Potin (original French title) Aquatint and drypoint on wove paper. Reference: Ginestet et Pouillon 96. Undescribed state proof, between the firs...
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