Fetish Statue, Fire, and Enlightenment
WILSON, Edward Arthur
Lithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended f...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended f...
View full detailsEtching printed in black ink on thin J Whatman laid paper.Reference: Fletcher 257. Edition of 100. From the Spanish Church series. Signed and dated...
View full detailsPen and ink and black crayon on J Whatman wove paper. Unique. This drawing was reproduced in Miranda and the Cat, a children’s book written by Lin...
View full detailsAquatint and etching on wove paper. Edition of 100. Signed in pencil.
Silver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
View full detailsLithograph on off-white wove paper. Published by Associated American Artists. Signed and titled in pencil.
Etching printed in black ink on laid paper. Reference: McCarron 70Total edition 83. Signed in pencil, also signed in the plate, lower right. This ...
View full detailsWood engraving on laid japon volant paper, 1935. Edition unknown. Not very common. This is a quintessential image of American industrialization...
View full detailsLithograph printed in black ink on wove paper. Reference: Bassham 28. Edition unknown. Signed and titled in pencil. Also annotated in the center-...
View full detailsEtching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
View full detailsWoodcut printed on very thin Japan paper, no date. There is no stated edition, and this print may very well be a unique impression. Signed and ti...
View full detailsLithograph on white chine-collé on tan wove paper, no date. Edition of 25. An impression numbered over 25 exists.Signed and titled in pencil. It is...
View full detailsLithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
View full detailsLithograph on Montval laid paper.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. Creative and elegant use of white-line scr...
View full detailsLithograph on wove paperReference: Rose & Quiroz 78. Edition of 25. Signed, dated, and titled in pencil. Very fine impression in pristine condi...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsLithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
View full detailsLithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
View full detailsEtching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Mezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsWoodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsEtching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Lithograph on wove paper. Reference: Flint 217. Edition of 15. Signed in pencil.
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