Aquatint, etching, and drypoint on Arches wove paper.
Reference: Sanchez 517.
Edition of 50.
Compared to another version of this print, titled “Riders at Sundown” from 1953, this composition is surprisingly scarce. The reason for this is unclear.
Signed, titled, and numbered in pencil.
A very fine, rich, and luminous impression, in pristine condition.
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Lithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
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Color pencil on light gray wove paper, circa 1910. Mothers or nannies daydream as children, mostly absent from the composition, sail toy boats o...
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Les Usines sous la Neige (original French title) Color drypoint and aquatint on simili-japon paper.Reference: Delteil 89. Second state of two. E...
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Lithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
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Etching on simili-japon paper. Reference: Campbell Dodgson 55. Edition unknown, but certainly not very large. It has become very scarce and rarely ...
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