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Art Nouveau

Known as the art of the whiplash, this reaction against academic aesthetic was drawn to the curved lines of plants, flowers and the women.
Marguerite Montaud Gamy - Juvisy – Paris - Lithograph - hand colored - 1909 . Sold
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Juvisy – Paris

MONTAUD GAMY, Marguerite

Lithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...

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Henry Chapront - L'Alsace 1st State - detail
$400

The Alsace

CHAPRONT, Henry

L’Alsace… (original French title) Aquatint printed in blue ink, with a touch of red in the cockade on simili-Japan paper, April 1916. One of 8 impr...

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Maximilian Kurzweil - Der Polster - The Cushion - The Upholstery - Art Nouveau - color woodcut
$3,200

The Cushion

KURZWEIL, Maximilian

Der Polster (original German title) Color woodcut printed on japon paper, affixed as usual to a support sheet at the top. Published by Gesellschaf...

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Bernard Boutet de Monvel - Les Anes - state proof - donkey canal town dusk - color aquatint and soft-ground etching Sold
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The Donkeys

BOUTET DE MONVEL, Bernard

Les Anes (original French title) Color aquatint and soft-ground etching printed on thick wove paper.References: not in Addade, nor in BN-IFF.State ...

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Bernard Boutet de Monvel - Le Chaland - canal barge - Addade 46 - Aquatint and soft-ground etching Sold
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The Barge

BOUTET DE MONVEL, Bernard

La Chaland (original French title) Aquatint and soft-ground etching. Also titled "La Peniche". Printed in color on laid paper. Refs: Addade pg. 4...

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Bernard Boutet de Monvel - La Charrette - horse drawn carriage - etching aquatint Sold
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La Charrette

BOUTET DE MONVEL, Bernard

Color etching and aquatint. Signed and numbered "48/100" in pencil.

Bernard Boutet de Monvel - L'Heure du Repos - canal town - BN-IFF 5 - Color etching and aquatint Sold
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L'Heure du Repos

BOUTET DE MONVEL, Bernard

Color etching and aquatint. Refs: DC 366; BN-IFF 5. Monogrammed in the plate. Signed in the lower right platemark in pencil. Annotated "L'heure du ...

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