In the Sunlight
TISSOT, James
En Plein Soleil (original French title) Etching and drypoint printed on laid paper.Reference: Wentworth 54.“Bon à Tirer” impression; the impression...
View full detailsEn Plein Soleil (original French title) Etching and drypoint printed on laid paper.Reference: Wentworth 54.“Bon à Tirer” impression; the impression...
View full detailsLe Croquet (original French title) Etching and drypoint printed on laid Van Gelder paper.Reference: Wentworth 37.Impression of the published state....
View full detailsDrypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
View full detailsColor woodcut on thin paper.Edition of 50. Colors vary in each impression, sometimes only a little, sometimes a lot. In our biased opinion, this ...
View full detailsColor aquatint and etching on laid paper.Edition unknown.Signed and annotated “Epreuve d’artiste” in pencil. Very slight mat burn in the margins; u...
View full detailsPère Boyer or Vieillard Assis or Le Vieux (original French titles) Color aquatint, soft-ground etching and gouache on Arches laid paper.Ref: not in...
View full detailsWoodcut printed in black ink on thin laid Japanese paper, circa 1929-31.Reference: Turzak 22.Edition of 50.Signed, titled and numbered in pencil.
Woodcut printed in black ink on thin laid Japanese paper.Reference: Turzak 22.Edition of circa 50 or less.Signed and titled in pencil.
La Femme du Meunier (original French title) Charcoal, crayon and white chalk drawing on gray laid paper with CF in crest watermark.Signed in the im...
View full detailsColor mezzotint on thick wove paper.Edition unknown, but very likely small.Signed and titled in pencil. Image: 6 x 8 ⅞ inches. This lovely color me...
View full detailsColor mezzotint on wove paper.Edition unknown, but very likely small.Signed and titled in pencil. This lovely color mezzotint was almost certainly ...
View full detailsColor viscosity intaglio print on ivory Japan paper.One of 15 artist’s proofs, aside from the edition of 65.This, like all the artist’s prints from...
View full detailsColor linoleum and woodcut on wove paper.One of 8 print from a series titled Sun and Moons.From the only, small edition of proofs only. All works ...
View full detailsIrving AMEN (1918-2011) Duel Color woodcut on wove paper, circa 1960. Artist’s proof, aside from an edition in black only. It seems in black an ed...
View full detailsArun BOSE (Born 1934) Color intaglio (aquatint & etching) viscosity print on wove paper, 1969.Edition of 100.Signed, titled and numbered in pen...
View full detailsAquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsFamille Japonaise or Family (original titles)Engraving, soft-ground etching and scorper, printed in color using stencils on thick wove paper, 1955....
View full detailsLa Ferme de la Bendelière (original French title) Etching and aquatint on wove paper.Reference: Ginestet & Pouillon E 138.Edition of 50.Signed ...
View full detailsHenri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsLa Route de Landemer, Pointe de La Hague (original French title) Soft-ground etching and aquatint on laid Arches paper. Reference: Morane 7.Third s...
View full detailsBretonne en Noir (original French title) Soft-ground etching, drypoint and aquatint on thick wove paper. Reference: Morane 58.From the edition of 5...
View full detailsElla FILLMORE LILLIE (1884-1972) Mitla Memento Lithograph on wove paper, n.d. Edition of 50. Signed and titled in pencil. Bearing “The Shealing – D...
View full detailsLithograph on wove paper.Published by Associated American Artists.Edition of 125 or 250.Signed and titled in pencil. It has been suggested that the...
View full detailsL'Accordeoniste (original French title) Woodcut on japon pelure.Edition of 40.Signed, numbered and stamped on both sides of the sheet. The sheet ...
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