Lovers
LEGRAND, Louis
Les Amants (original French title) Aquatint, etching & drypoint printed on Arches laid paper.References: Arwas 169; BN-IFF 84; Exsteens 150.Fou...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Les Amants (original French title) Aquatint, etching & drypoint printed on Arches laid paper.References: Arwas 169; BN-IFF 84; Exsteens 150.Fou...
View full detailsLa Vague or La Mer (original French titles) Etching and aquatint printed on laid paper.Reference: Cate & Grivel 104 (ill. pg. 122).Edition of 3...
View full detailsAquatint and etching on thick wove paper. Published by “Pan”. This impression without the letters. Likely an impression for a deluxe edition. The ...
View full detailsLa Chaland (original French title) Aquatint and soft-ground etching. Also titled "La Peniche". Printed in color on laid paper. Refs: Addade pg. 4...
View full detailsBretonne en Noir (original French title) Soft-ground etching, drypoint and aquatint on thick wove paper. Reference: Morane 58.From the edition of 5...
View full detailsLa Messe en Bretagne (descriptive French title) Aquatint, etching, roulette & drypoint printed in color on Arches laid paper, circa 1900.Refere...
View full detailsEssai de Frontispice pour « l’Eloge de la Folie » (original French title) Aquatint and etching on simili-japon paper, circa 1896.Reference: Rouir 6...
View full detailsAquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsFemme Nue Assise or Eve (descriptive French titles) Color etching and aquatint printed from four plates on Arches wove paper.We are presenting a gr...
View full detailsL’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
View full detailsVieille Femme (original French title)Drypoint, etching, and aquatint on laid paper.Reference: Tabanelli 43. From the total edition of 40 in the sec...
View full detailsColor aquatint and soft-ground etching on wove paper, 1900.Reference: Koehl E110.Edition of 50.Signed and numbered in pencil. Cléo de Mérode (1875-...
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