The Start of the Race
RANFT, Richard
Le Départ de la Course or Avant la Course (original French title) Color aquatint and etching on laid Arches paper.Edition unknown. Likely 50 or 6...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Le Départ de la Course or Avant la Course (original French title) Color aquatint and etching on laid Arches paper.Edition unknown. Likely 50 or 6...
View full detailsPrairie et Moulin à Osny (original French title) Etching, drypoint and aquatint on thin laid paper.Reference: Delteil 59 vi/vi.Bon à tirer impressi...
View full detailsColor aquatint and etching printed on wove paper.Edition of 50.Signed and numbered in pencil.
Sur la Plage (original French title) Color aquatint printed on wove Van Gelder paper.Reference: BN-IFF pg. 155.Signed and numbered "43/60" in penci...
View full detailsLa Fête Nationale au Boulevard Clichy (original French title) Etching, aquatint and drypoint printed on laid paper.Ref: Bourcard/Goodfriend 127 v/v...
View full detailsFELIX BUHOT (1847-1898) National Holiday on the Boulevard de Clichy La Fête nationale au Boulevard Clichy (original French title) Etching, aquatint...
View full detailsLe Jardin des Tuileries (original French title) Color aquatint printed on Arches laid paper.Reference: Merill-Chase 48.Edition of circa 100.Signed ...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
Petit Café à Soldats (original French title) Color drypoint and aquatint on laid Arches paper, c. 1906.Ref: BN-IFF 38-116.From the loosely associat...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsCochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...
View full detailsEmbarcadère à Trouville (original French title) Etching, aquatint, and drypoint on white laid paper.Reference: Bourcard & Goodfriend 126 iii/v....
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