The Windmill
ROUX-CHAMPION, Victor-Joseph
Le Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any. We have never encou...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Le Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any. We have never encou...
View full detailsLa Fête Nationale au Boulevard Clichy (original French title) Etching, aquatint and drypoint printed on laid paper.Ref: Bourcard/Goodfriend 127 v/v...
View full detailsUne Débarquement en Angleterre (original French title) Etching, drypoint and aquatint on laid japon paper.Ref: Bourcard/Goodfriend 130 v/v.Fifth an...
View full detailsEtching and aquatint printed on Hahnemühle Copperplate Bright White wove paper.Edition of 120, published by the Madison Print Club.There were a fur...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsAquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
View full detailsFerme Bretonne au Soleil (French title) Etching and aquatint on laid Ch Wittman paper, no date. Reference: Morane 63. Titled “[La Ferme dans le so...
View full details"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
View full detailsLa Traversée - A Holyday, Rain, Storm and Music (original title) Etching, aquatint, roulette, and drypoint on laid paper.Reference: Bourcard & ...
View full detailsLa Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
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