Filters

color

era

exhibition

format

location

nationality

printer

publisher

sale

scale

scape

style

subject

technique

weather

year

Aquatint: a painterly intaglio technique

While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging.  And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers.  Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists.  These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings.  Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color.  Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint.  Here are a few we have, or have had in the past.

Shaded River Sold
View Details

Shaded River

MEUNIER, Henri

Rivière Ombragée (descriptive French title)Color aquatint printed on Arches laid paper.Artist's proof, before the edition.Published by Georges Peti...

View full details
Bernard Boutet de Monvel - Les Levriers - street scene greyhounds - color aquatint and soft-ground etching Sold
View Details

The Greyhounds

BOUTET DE MONVEL, Bernard

Les Levriers (original French title) Aquatint and soft-ground etching printed on wove paper.Ref: not in Addade, not in BN-IFF.Edition of 200.Signed...

View full details
Allan Osterlind - Le Bapteme a Treboul - Baptism - Brittany Bretagne - tradition - color aquatint - detail
$750

The Baptism in Treboul

OSTERLIND, Allan

Le Baptême à Tréboul (original French title)  Color aquatint and etching on Arches wove paper.Edition unknown, but like most of the artist’s work s...

View full details
Gil Cowley - Parc de Montssouris - Paris - Atelier 17 - color viscosity - February 1964 - detail Sold
View Details

Parc de Montsouris

COWLEY, Gil

Color viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.