Clair de Lune
LAFITTE, Alphonse
Aquatint on wove MBM paper. Signed in black crayon "Alphonse Lafitte", a well-documented pseudonym for artist Manuel Robbe. Signed in black crayon....
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Aquatint on wove MBM paper. Signed in black crayon "Alphonse Lafitte", a well-documented pseudonym for artist Manuel Robbe. Signed in black crayon....
View full detailsLes Manèges (original French title) Aquatint, etching and drypoint printed in bistre on laid paper.Reference: Tabanelli 280.Edition of 50.Signed in...
View full detailsAquatint and etching on wove paper. Edition unknown. Signed and titled in pencil. Very fine impression in near perfect condition, aside from the fa...
View full detailsLa Chaland (original French title) Aquatint and soft-ground etching. Also titled "La Peniche". Printed in color on laid paper. Refs: Addade pg. 4...
View full detailsLe Souper de l’Apache (original French title) Etching and aquatint on simili-japon paper, 1904.References: Arwas 211; Exsteens 191.Published by Gus...
View full detailsHenri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsAquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsLes Voisins de Campagne (original French title) Etching, drypoint and aquatint on wove paper, circa 1878-80.Reference: Bourcard & Goodfriend 14...
View full detailsRetour de la Pêche, la Nuit (original French title) Etching and aquatint on laid paper, 1890.Reference: Morane 16.From the edition stated at 50, bu...
View full detailsColor aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsEtching and aquatint printed in blue ink on simili-Japan paper.Edition unknown, but very likely small. This composition seems scarce. Signed and ti...
View full detailsColor etching and aquatint on simili-Japan paper. Edition unknown, but likely small. Signed and titled in pencil.
Profil de Nuit (descriptive French title) Etching and aquatint printed in brownish-black ink on tan wove paper, n.d.Edition unknown, but likely ver...
View full detailsEssai de Frontispice pour « l’Eloge de la Folie » (original French title) Aquatint and etching on simili-japon paper, circa 1896.Reference: Rouir 6...
View full detailsAquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
Aquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsDeux Martyrs (Honfleur) (original French title) Etching, aquatint, and burnisher on laid Arches paper.Ref: Bertin 188. Only one known state.Signed...
View full detailsDans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
View full detailsColor aquatint and etching on thick wove paper. Published by Alfred Bell & Co Ltd, 6 Old Bond Street, London. Edition unknown, but scarce. Sig...
View full detailsRetour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
View full detailsLa Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
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