Clair de Lune
LAFITTE, Alphonse
Aquatint on wove MBM paper. Signed in black crayon "Alphonse Lafitte", a well-documented pseudonym for artist Manuel Robbe. Signed in black crayon....
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Aquatint on wove MBM paper. Signed in black crayon "Alphonse Lafitte", a well-documented pseudonym for artist Manuel Robbe. Signed in black crayon....
View full detailsLe Petit Enterrement (original French title) Aquatint, etching and roulette, with a touch of drypoint, printed on wove paper.Reference: Bourcard &a...
View full detailsLe Départ de la Course or Avant la Course (original French title) Color aquatint and etching on laid Arches paper.Edition unknown. Likely 50 or 6...
View full detailsLa Viosne à Pontoise (original French title) Etching, aquatint, and drypoint printed in brown ink on laid Arches paper.References: Koehl E165; Liv...
View full detailsLa Viosne à Pontoise (original French title) Etching, aquatint, and drypoint printed in blue and black inks on laid Arches paper.References: Koehl ...
View full detailsLa Fête Nationale au Boulevard Clichy (original French title) Etching, aquatint and drypoint printed on laid paper.Ref: Bourcard/Goodfriend 127 v/v...
View full detailsColor aquatint and etching. Ref: BN-IFF 2-5. Edition of 60. Signed, titled, annotated "tire a 60 - 6" and dedicated "a Georges Lepape. son ami" in ...
View full detailsUne Débarquement en Angleterre (original French title) Etching, drypoint and aquatint on laid japon paper.Ref: Bourcard/Goodfriend 130 v/v.Fifth an...
View full detailsLa Route de Landemer, Pointe de La Hague (original French title) Soft-ground etching and aquatint on laid Arches paper. Reference: Morane 7.Third s...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsUn Conte de Noël (original French title) Color etching and aquatint on wove paper, no date. An artist’s proof. Edition unknown. Cautiously a man le...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsEtching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
View full details"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
View full detailsLa Traversée - A Holyday, Rain, Storm and Music (original title) Etching, aquatint, roulette, and drypoint on laid paper.Reference: Bourcard & ...
View full detailsMatinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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