Rain and Wind at Pedro Leopold
BALLIF, Yannick
Pluie et Vent à Pedro Leopold (original French title) Embossed color drypoint and aquatint on wove paper.Printed to the sheet edge, as usual.Editio...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Pluie et Vent à Pedro Leopold (original French title) Embossed color drypoint and aquatint on wove paper.Printed to the sheet edge, as usual.Editio...
View full detailsLa Viosne à Pontoise (original French title) Etching, aquatint, and drypoint printed in brown ink on laid Arches paper.References: Koehl E165; Liv...
View full detailsPrairie et Moulin à Osny (original French title) Etching, drypoint and aquatint on thin laid paper.Reference: Delteil 59 vi/vi.Bon à tirer impressi...
View full detailsLa Dame aux Cygnes (original French title) Drypoint, etching, aquatint and roulette on laid Arches paper. Reference: Bourcard & Goodfriend 44. ...
View full detailsLa Viosne à Pontoise (original French title) Etching, aquatint, and drypoint printed in blue and black inks on laid Arches paper.References: Koehl ...
View full detailsLe Boulevard des Italiens, grande planche (original French title) Color aquatint and drypoint printed on thick wove paper.Reference: Delteil 96Edit...
View full detailsPetite Marcheuse (original French title) Etching, aquatint & drypoint printed on simili-japon wove paper.References: Arwas 361; Exsteens 250.Pl...
View full detailsLes Amants (original French title) Aquatint, etching & drypoint printed on Arches laid paper.References: Arwas 169; BN-IFF 84; Exsteens 150.Fou...
View full detailsLes Manèges (original French title) Aquatint, etching and drypoint printed in bistre on laid paper.Reference: Tabanelli 280.Edition of 50.Signed in...
View full detailsLa Fête Nationale au Boulevard Clichy (original French title) Etching, aquatint and drypoint printed on laid paper.Ref: Bourcard/Goodfriend 127 v/v...
View full detailsUne Débarquement en Angleterre (original French title) Etching, drypoint and aquatint on laid japon paper.Ref: Bourcard/Goodfriend 130 v/v.Fifth an...
View full detailsLe Chef d’Oeuvre (original French title) Drypoint, aquatint and roulette printed in four colors, à la poupée (yet from two registered plates) on wo...
View full detailsColor aquatint, spitbite (?) and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Published by Galerie Antarès, Paris, with...
View full detailsLuz Do Dia (original Portugese title) Embossed color aquatint and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Publishe...
View full detailsLes Voisins de Campagne (original French title) Etching, drypoint and aquatint on wove paper, circa 1878-80.Reference: Bourcard & Goodfriend 14...
View full detailsAquatint and drypoint on simili-Japan paper. Refs: Exsteens 248; Arwas 359. Edition of 100. From the album, “Le Petite Classe”. Numbered “25/100...
View full detailsColor aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full detailsLa Messe en Bretagne (descriptive French title) Aquatint, etching, roulette & drypoint printed in color on Arches laid paper, circa 1900.Refere...
View full detailsEglantine (original French title) Embossed color aquatint and drypoint on wove paper, 1986.Artist’s proof. Edition unknown.Signed and dated in pen...
View full detailsPetit Café à Soldats (original French title) Color drypoint and aquatint on laid Arches paper, c. 1906.Ref: BN-IFF 38-116.From the loosely associat...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsClematite (original French title) Embossed color aquatint and drypoint on wove paper.The “BAT” impression. The abbreviation stands for “Bon à tire...
View full detailsVieille Femme (original French title)Drypoint, etching, and aquatint on laid paper.Reference: Tabanelli 43. From the total edition of 40 in the sec...
View full detailsUne Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
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