$600
Abstraction in Brown
YOSHIDA, Masao
Color aquatint and soft ground etching on Arches wove paper, 1963.This is likely printed using the Atelier 17 method of simultaneous color printing...
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era
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exhibition
- 10 men and 10 women
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- C. & J. Goodfriend Personal Collection - February 2024
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location
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nationality
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printer
publisher
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sale
scale
scape
- abstract
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- animated
- bird's eye view
- cafe restaurant
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style
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subject
- abstract
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- nude
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- seated
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- sky
- smoke
- smoking
- social
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- street
- strength
- sunset sunrise
- technology
- theatrical production
- town
- transcendence
- transportation
- tree
- umbrella
- view
- village
- walking
- war
- water
- whimsical
- windmill
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- woman
- work
- wrestling
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technique
- aquatint
- color
- color aquatint
- color drypoint
- color etching
- color intaglio
- color viscosity
- color/intaglio
- drypoint
- embossed
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weather
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year
Aquatint: a painterly intaglio technique
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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The Eaglet
MOTI, Kaiko
L’Aiglon (original French title) Simultaneous color printing aquatint on Arches wove paper, n.d.Edition of 120.Signed and numbered in pencil.
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Odysseus' Perils
NEUSTADT, Barbara
Aquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
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Cinema
SPAGNOLO, Kathleen M
Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
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Two Fishes
REDDY, Krishna
Color viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
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Opaque Space
REDDY, Krishna
Color aquatint, etching, and engraving printed on wove BFK Rives paper.Artist’s proof. No stated edition has been identified, and it is unlikely t...
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Ajuna
BOSE, Arun
Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
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Title Unknown – Hindu Altar
BOSE, Arun
Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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Title Unknown – Dragonfly Reflection
BOSE, Arun
Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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Earth
COWLEY, Gil
Color viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
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