Rain and Wind at Pedro Leopold
BALLIF, Yannick
Pluie et Vent à Pedro Leopold (original French title) Embossed color drypoint and aquatint on wove paper.Printed to the sheet edge, as usual.Editio...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Pluie et Vent à Pedro Leopold (original French title) Embossed color drypoint and aquatint on wove paper.Printed to the sheet edge, as usual.Editio...
View full detailsBretonne en Noir (original French title) Soft-ground etching, drypoint and aquatint on thick wove paper. Reference: Morane 58.From the edition of 5...
View full detailsLuz Do Dia (original Portugese title) Embossed color aquatint and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Publishe...
View full detailsQuatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
View full detailsAfter Alphonse OSBERT (1857 – 1939)Etched by René LORRAIN (1873 – after 1939) Soir Antique (original French title) Color aquatint on thick Arches ...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsAquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
View full detailsL’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
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