The Windmill
ROUX-CHAMPION, Victor-Joseph
Le Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any. We have never encou...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Le Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any. We have never encou...
View full detailsRivière Ombragée (descriptive French title)Color aquatint printed on Arches laid paper.Artist's proof, before the edition.Published by Georges Peti...
View full detailsLes Anes (original French title) Color aquatint and soft-ground etching printed on thick wove paper.References: not in Addade, nor in BN-IFF.State ...
View full detailsAquatint and etching on wove paper. Edition unknown. Signed and titled in pencil. Very fine impression in near perfect condition, aside from the fa...
View full detailsColor etching and aquatint. Refs: DC 366; BN-IFF 5. Monogrammed in the plate. Signed in the lower right platemark in pencil. Annotated "L'heure du ...
View full detailsLa Route de Landemer, Pointe de La Hague (original French title) Soft-ground etching and aquatint on laid Arches paper. Reference: Morane 7.Third s...
View full detailsLuz Do Dia (original Portugese title) Embossed color aquatint and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Publishe...
View full detailsEtching and aquatint printed in color on wove paper.Edition of 200.Signed, titled and numbered in pencil.
Etching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.
Color etching and aquatint on simili-Japan paper. Edition unknown, but likely small. Signed and titled in pencil.
Aquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsLe Coup de Vent (original French title) Etching and aquatint printed in brownish-black in on laid paper.Reference: Bertin 279.There was an early st...
View full detailsL’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
View full detailsLa Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
View full detailsEtching, aquatint & roulette printed in 5 colors on wove BFK Rives paper, circa 1910.Edition of 350. After a famous painting with the same titl...
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