The Estacade
BEJOT, Eugene
L’Estacade (original French title) Etching and aquatint printed in four colors on japon paper.Refrence: BN-IFF 174.Edition unknown, scarce. Findin...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
L’Estacade (original French title) Etching and aquatint printed in four colors on japon paper.Refrence: BN-IFF 174.Edition unknown, scarce. Findin...
View full detailsRivière Ombragée (descriptive French title)Color aquatint printed on Arches laid paper.Artist's proof, before the edition.Published by Georges Peti...
View full detailsLa Viosne à Pontoise (original French title) Etching, aquatint, and drypoint printed in brown ink on laid Arches paper.References: Koehl E165; Liv...
View full detailsColor etching printed on thick wove paper. Edition unknown, probably small. Signed in pencil.
La Viosne à Pontoise (original French title) Etching, aquatint, and drypoint printed in blue and black inks on laid Arches paper.References: Koehl ...
View full detailsLes Anes (original French title) Color aquatint and soft-ground etching printed on thick wove paper.References: not in Addade, nor in BN-IFF.State ...
View full detailsGrenouilles (original French title) Color aquatint on chine paper, 1894.References: Stein and Karshan 36; Boyer and Cate 36.Artist’s proof aside fr...
View full detailsHenri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsGondel met Opbouw in het Canale Grande, Venetië (original Dutch title) Etching and aquatint on simili-Japan wove paper.References: De Groot 181; Bo...
View full detailsAquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsDans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
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