The Estacade
BEJOT, Eugene
L’Estacade (original French title) Etching and aquatint printed in four colors on japon paper.Refrence: BN-IFF 174.Edition unknown, scarce. Findin...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
L’Estacade (original French title) Etching and aquatint printed in four colors on japon paper.Refrence: BN-IFF 174.Edition unknown, scarce. Findin...
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Le Boulevard des Italiens, grande planche (original French title) Color aquatint and drypoint printed on thick wove paper.Reference: Delteil 96Edit...
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FELIX BUHOT (1847-1898) National Holiday on the Boulevard de Clichy La Fête nationale au Boulevard Clichy (original French title) Etching, aquatint...
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Au Bal (original French title) Aquatint on Pellet et Legrand wove paper.Reference: Exsteens 317 ; Arwas 431. Edition of 70. Published by Gustave P...
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Démolitions Rue Lepic (original French title) Etching and aquatint on laid Arches paper.Reference: Delteil 14; BN-IFF 3. Early state before further...
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Jardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles H...
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Une Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
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Dans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
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L’Hiver à Paris or La Neige à Paris (original French titles) Etching, aquatint, scraper, and drypoint on laid paper.Reference: Bourcard & Goodf...
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La Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
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Aquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
Le Grand-Prix de Paris (original French title) Color etching, aquatint, and drypoint printed on simili-japon paper, 1906.Ref: Delteil 74.Edition of...
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La Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
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Etching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
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La Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
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Matinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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La Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
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