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Aquatint: a painterly intaglio technique

While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging.  And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers.  Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists.  These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings.  Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color.  Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint.  Here are a few we have, or have had in the past.

Edgar Chahine - Les Maneges - Merry Go Round - Tabanelli 280 - aquatint etching drypoint - detail
$1,500

The Merry-Go-Round

CHAHINE, Edgar

Les Manèges (original French title) Aquatint, etching and drypoint printed in bistre on laid paper.Reference: Tabanelli 280.Edition of 50.Signed in...

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Kathleen Spagnolo - Cinema - color intaglio - color viscosity - detail Sold
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Cinema

SPAGNOLO, Kathleen M

Color aquatint and etching on Arches wove paper.Artists proof.  Edition unknown, but likely small, if any was printed at all.  We have never seen a...

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