Filters

color

era

exhibition

format

location

nationality

printer

publisher

sale

scale

scape

style

subject

technique

weather

year

Aquatint: a painterly intaglio technique

While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging.  And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers.  Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists.  These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings.  Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color.  Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint.  Here are a few we have, or have had in the past.

Emil Ganso - Model Standing - The Print Club of Cleveland - nude women from behind - hips Sold
View Details

Model Standing

GANSO, Emil

Etching and aquatint on wove paper, 1935.Reference: Smith I-8c.Edition of 250, as issued by The Print Club of Cleveland.Signed in pencil. 

Edmond Rigal - Caryatid - Engraving and aquatint Sold
View Details

Caryatid

RIGAL, Edmond

Engraving and aquatint in bluish-black ink on tan wove paper.   Edition of 50.  Signed and numbered in pencil.