Nude with the Pegasus Wallpaper
McCLELLAN POTTER, Louis
Color aquatint and etching printed on laid Arches paper.Edition of 50.Signed and numbered in pencil.
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Color aquatint and etching printed on laid Arches paper.Edition of 50.Signed and numbered in pencil.
Les Amants (original French title) Aquatint, etching & drypoint printed on Arches laid paper.References: Arwas 169; BN-IFF 84; Exsteens 150.Fou...
View full detailsSur la Plage (original French title) Color aquatint printed on wove Van Gelder paper.Reference: BN-IFF pg. 155.Signed and numbered "43/60" in penci...
View full detailsLe Chef d’Oeuvre (original French title) Drypoint, aquatint and roulette printed in four colors, à la poupée (yet from two registered plates) on wo...
View full detailsColor aquatint and etching on laid paper.Edition unknown.Signed and annotated “Epreuve d’artiste” in pencil. Very slight mat burn in the margins; u...
View full detailsLe Baptême à Tréboul (original French title) Color aquatint and etching on Arches wove paper.Edition unknown, but like most of the artist’s work s...
View full detailsDans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
View full detailsAdèle préparant le tub et Ketty aux bras levés (original French title) Drypoint, etching, and aquatint on wove Rives paper.Reference: Petrides E. 2...
View full detailsLa Vieille Femme Fumant sa Pipe (original French title) Soft-ground and line etching, and aquatint on wove paper, 1892.Reference: Morane 48.Edition...
View full detailsLa Vieille (original French titles) Color aquatint and soft-ground etching on thick wove paper.Ref: BN-IFF 4-5; not in Addade.Edition of 50, quite ...
View full detailsAngélique à Sa Porte (original French title) Soft-ground etching, etching, and aquatint on laid paper. Reference: Morane 15.We present two states o...
View full detailsLe Potin (original French title) Aquatint and drypoint on wove paper. Reference: Ginestet et Pouillon 96. Undescribed state proof, between the firs...
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