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Aquatint: a painterly intaglio technique

While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging.  And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers.  Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists.  These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings.  Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color.  Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint.  Here are a few we have, or have had in the past.

Louis Legrand - Au Bal (original French title) At the Ball - Aquatint , 1911, Paris.
$950

At the Ball

LEGRAND, Louis

Au Bal (original French title) Aquatint on Pellet et Legrand wove paper.Reference:  Exsteens 317 ; Arwas 431. Edition of 70. Published by Gustave P...

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Charles MAURIN - Luxembourg Gardens - Le Jardin du Luxembourg - Color etching and aquatint on laid paper – 1900 - detail Sold
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Luxembourg Gardens

MAURIN, Charles

Jardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25.  Edition of 50.  Published by Charles H...

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Edmond Rigal - Caryatid - Engraving and aquatint Sold
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Caryatid

RIGAL, Edmond

Engraving and aquatint in bluish-black ink on tan wove paper.   Edition of 50.  Signed and numbered in pencil.