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The Lady with the Swans
BUHOT, Felix
La Dame aux Cygnes (original French title) Drypoint, etching, aquatint and roulette on laid Arches paper. Reference: Bourcard & Goodfriend 44. ...
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era
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exhibition
- 10 men and 10 women
- 15 strong women
- C. & J. Goodfriend Personal Collection - February 2024
- Jim Goodfriend Collection of Felix Buhot Prints
- recent stories
format
location
- Bretagne
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nationality
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printer
publisher
- Atelier 17
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scale
scape
- abstract
- animal
- animated
- bird's eye view
- cafe restaurant
- cityscape
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- desolate
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- figure
- floral arrangement
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- interior
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- river
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style
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subject
- abstract
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- books
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- chore
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- laundry
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- seated
- sexual
- shepherd
- sky
- smoke
- smoking
- social
- social commentary
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- street
- strength
- sunset sunrise
- technology
- theatrical production
- town
- transcendence
- transportation
- tree
- umbrella
- view
- village
- walking
- war
- water
- whimsical
- windmill
- window
- woman
- work
- wrestling
- zen garden
- zen/garden
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technique
- aquatint
- color
- color aquatint
- color drypoint
- color etching
- color intaglio
- color viscosity
- color/intaglio
- drypoint
- embossed
- engraving
- etching
- hand colored etching
- handcoloring
- intaglio
- mezzotint
- roulette
- soft ground etching
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weather
- cloud
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year
Aquatint: a painterly intaglio technique
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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Night Flight
ZIEGLER, Henry
Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
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Cinema
SPAGNOLO, Kathleen M
Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
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Sundown
KLOSS, Gene
Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
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The Pond
HOUDARD, Charles
L’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
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