Woman Seated by the Water
JEANNIOT, Pierre-Georges
Femme Assise au Bord de l'Eau (descriptive French title) Aquatint printed on laid paper.Reference: unidentified in BN-IFF.One of only two impressio...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Femme Assise au Bord de l'Eau (descriptive French title) Aquatint printed on laid paper.Reference: unidentified in BN-IFF.One of only two impressio...
View full detailsSur la Plage (original French title) Color aquatint printed on wove Van Gelder paper.Reference: BN-IFF pg. 155.Signed and numbered "43/60" in penci...
View full detailsLes Manèges (original French title) Aquatint, etching and drypoint printed in bistre on laid paper.Reference: Tabanelli 280.Edition of 50.Signed in...
View full detailsLa Patineuse (original French title) Color aquatint and soft-ground etching printed in color on thick wove paper. References: neither in the BN-IFF...
View full detailsLe Souper de l’Apache (original French title) Etching and aquatint on simili-japon paper, 1904.References: Arwas 211; Exsteens 191.Published by Gus...
View full detailsLe Jardin des Tuileries (original French title) Color aquatint printed on Arches laid paper.Reference: Merill-Chase 48.Edition of circa 100.Signed ...
View full detailsAquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
After Alphonse OSBERT (1857 – 1939)Etched by René LORRAIN (1873 – after 1939) Soir Antique (original French title) Color aquatint on thick Arches ...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsLa Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
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