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Aquatint: a painterly intaglio technique

While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging.  And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers.  Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists.  These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings.  Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color.  Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint.  Here are a few we have, or have had in the past.

Louis Legrand Sold
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Little Tease

LEGRAND, Louis

Petite Marcheuse (original French title) Etching, aquatint & drypoint printed on simili-japon wove paper.References: Arwas 361; Exsteens 250.Pl...

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Louis Legrand - La Petite Classe - La Gosse - intaglio - young ballerina entering a room Sold
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La Gosse

LEGRAND, Louis

Aquatint and drypoint on simili-Japan paper. Refs: Exsteens 248; Arwas 359.  Edition of 100. From the album, “Le Petite Classe”.  Numbered “25/100...

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Louis Legrand - Au Bal (original French title) At the Ball - Aquatint , 1911, Paris.
$950

At the Ball

LEGRAND, Louis

Au Bal (original French title) Aquatint on Pellet et Legrand wove paper.Reference:  Exsteens 317 ; Arwas 431. Edition of 70. Published by Gustave P...

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Alfredo Muller - Cleo de Merode - chignon style chapeau - detail
$2,400

Cléo de Mérode

MULLER, Alfredo

Color aquatint and soft-ground etching on wove paper, 1900.Reference: Koehl E110.Edition of 50.Signed and numbered in pencil. Cléo de Mérode (1875-...

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