The Estacade
BEJOT, Eugene
L’Estacade (original French title) Etching and aquatint printed in four colors on japon paper.Refrence: BN-IFF 174.Edition unknown, scarce. Findin...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
L’Estacade (original French title) Etching and aquatint printed in four colors on japon paper.Refrence: BN-IFF 174.Edition unknown, scarce. Findin...
View full detailsDouble Prise de Tête à Terre (original French title) Etching, soft-ground and aquatint printed in brownish-black ink on chine-collé on thick wove p...
View full detailsAquatint and etching on thick wove paper. Published by “Pan”. This impression without the letters. Likely an impression for a deluxe edition. The ...
View full detailsEtching and aquatint printed on Hahnemühle Copperplate Bright White wove paper.Edition of 120, published by the Madison Print Club.There were a fur...
View full detailsGondel met Opbouw in het Canale Grande, Venetië (original Dutch title) Etching and aquatint on simili-Japan wove paper.References: De Groot 181; Bo...
View full detailsAquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsColor aquatint, etching, and engraving printed on wove BFK Rives paper.Artist’s proof. No stated edition has been identified, and it is unlikely t...
View full detailsDémolitions Rue Lepic (original French title) Etching and aquatint on laid Arches paper.Reference: Delteil 14; BN-IFF 3. Early state before further...
View full detailsL’Hiver à Paris or La Neige à Paris (original French titles) Etching, aquatint, scraper, and drypoint on laid paper.Reference: Bourcard & Goodf...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
Etching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
View full detailsCoin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
View full detailsLa Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
View full detailsLa Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
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