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Aquatint: a painterly intaglio technique

While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging.  And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers.  Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists.  These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings.  Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color.  Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint.  Here are a few we have, or have had in the past.

Martin Levine - Madison and 50th - New York City - etching and aquatint
$450

Madison & 50th

LEVINE, Martin

Etching and aquatint printed on Hahnemühle Copperplate Bright White wove paper.Edition of 120, published by the Madison Print Club.There were a fur...

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Kathleen Spagnolo - Cinema - color intaglio - color viscosity - detail Sold
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Cinema

SPAGNOLO, Kathleen M

Color aquatint and etching on Arches wove paper.Artists proof.  Edition unknown, but likely small, if any was printed at all.  We have never seen a...

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Krishna Reddy - Opaque Space Sold
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Opaque Space

REDDY, Krishna

Color aquatint, etching, and engraving printed on wove BFK Rives paper.Artist’s proof.  No stated edition has been identified, and it is unlikely t...

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Jean-Francois Raffaelli - Le Grand Prix de Paris - detail
$1,400

The Paris Grand Prix

RAFFAELLI, Jean-Francois

Le Grand-Prix de Paris (original French title) Color etching, aquatint, and drypoint printed on simili-japon paper, 1906.Ref: Delteil 74.Edition of...

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