The Eiffel Tower at Night
DELAVALLEE, Henri
Henri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Henri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsColor aquatint, spitbite (?) and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Published by Galerie Antarès, Paris, with...
View full detailsAquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsProfil de Nuit (descriptive French title) Etching and aquatint printed in brownish-black ink on tan wove paper, n.d.Edition unknown, but likely ver...
View full detailsGondel met Opbouw in het Canale Grande, Venetië (original Dutch title) Etching and aquatint on simili-Japan wove paper.References: De Groot 181; Bo...
View full detailsAquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsFemme Nue Assise or Eve (descriptive French titles) Color etching and aquatint printed from four plates on Arches wove paper.We are presenting a gr...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsAquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
View full detailsL’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
View full detailsDans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
View full detailsLa Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
View full detailsEn Bretagne, Eaux-Fortes et Lithographies par Maufra (original French title) Color etching & aquatint on wove paper, 1894.Refs: BN-IFF 11.2; Ca...
View full detailsLa Traversée - A Holyday, Rain, Storm and Music (original title) Etching, aquatint, roulette, and drypoint on laid paper.Reference: Bourcard & ...
View full detailsEmbarcadère à Trouville (original French title) Etching, aquatint, and drypoint on white laid paper.Reference: Bourcard & Goodfriend 126 iii/v....
View full detailsLa Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
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