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Le Port de la Rochelle
VILLON, Jacques
The La Rochelle Harbor (English title translation) After Paul SIGNAC (1863-1935).Colo aquatint printed on wove paper.Reference: Ginestet & Poui...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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The La Rochelle Harbor (English title translation) After Paul SIGNAC (1863-1935).Colo aquatint printed on wove paper.Reference: Ginestet & Poui...
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Bretonne en Noir (original French title) Soft-ground etching, drypoint and aquatint on thick wove paper. Reference: Morane 58.From the edition of 5...
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after Paul CÉZANNE (1839-1906) Les Joueurs de Cartes (original French title) Aquatint and etching printed in color on Arches wove paper.Reference: ...
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Le Femme au Piano, d’après Marcel Gromaire (original French title) Color etching and aquatint on thick wove paper.References: Ginestet & Pouil...
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Au Bal (original French title) Aquatint on Pellet et Legrand wove paper.Reference: Exsteens 317 ; Arwas 431. Edition of 70. Published by Gustave P...
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Un Conte de Noël (original French title) Color etching and aquatint on wove paper, no date. An artist’s proof. Edition unknown. Cautiously a man le...
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Retour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
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Color aquatint and drypoint on simili-Japan wove paper, 1913.No stated edition, but likely one of just a handful of impressions. All prints by this...
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Etching, aquatint & roulette printed in 5 colors on wove BFK Rives paper, circa 1910.Edition of 350. After a famous painting with the same titl...
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Color aquatint on Arches wove paper.Reference: Ginestet & Pouillon 663.Edition of 200.In the late 1920's Villon etched a number of prints after...
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