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Shaded River
MEUNIER, Henri
Rivière Ombragée (descriptive French title)Color aquatint printed on Arches laid paper.Artist's proof, before the edition.Published by Georges Peti...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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Rivière Ombragée (descriptive French title)Color aquatint printed on Arches laid paper.Artist's proof, before the edition.Published by Georges Peti...
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Color aquatint & etching printed on Arches laid paper.Reference: Cate & Grivel 143 (ill. page 115).Edition of 50.
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Color aquatint and etching printed on laid Arches paper.Edition of 50.Signed and numbered in pencil.
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L’Aiglon (original French title) Simultaneous color printing aquatint on Arches wove paper, n.d.Edition of 120.Signed and numbered in pencil.
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Chiens d’Arrêt (original French title) Aquatint and soft-ground etching printed in color on wove paper.Likely an edition of 50.The dogs depicted ar...
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Color aquatint on laid paper, mounted on japon, circa 1902.Edition unknown, but certainly small, if any was issued at all. We have never encountere...
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La Coulée (original French title) Color aquatint and etching on laid paper.Ref: not in BN-IFF.Edition of 50, but like all of this artist’s prints, ...
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Color aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
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Junger Hirte mit Tirolerhut (descriptive German title) Color aquatint and etching on wove paper, circa 1930.Stated edition of 100, but in light of ...
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Clematite (original French title) Embossed color aquatint and drypoint on wove paper.The “BAT” impression. The abbreviation stands for “Bon à tire...
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after Paul CÉZANNE (1839-1906) Les Joueurs de Cartes (original French title) Aquatint and etching printed in color on Arches wove paper.Reference: ...
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Mm. Papillon (original French title) Cutout etching and aquatint printed in color on Arches wove paper.Edition of 100.Published by Georgetown Graph...
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Jardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles H...
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Color aquatint and etching on thick wove paper. Published by Alfred Bell & Co Ltd, 6 Old Bond Street, London. Edition unknown, but scarce. Sig...
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Seigneur Prenez Pitié… (original French title) Aquatint printed in blue and warm-gray inks on wove BFK Rives paper, circa 1918. This plate was poss...
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Ferme Bretonne au Soleil (French title) Etching and aquatint on laid Ch Wittman paper, no date. Reference: Morane 63. Titled “[La Ferme dans le so...
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Retour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
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Aquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
Etching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
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Etching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
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Etching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
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Color aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
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Le Potin (original French title) Aquatint and drypoint on wove paper. Reference: Ginestet et Pouillon 96. Undescribed state proof, between the firs...
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Lever de Lune (original French title) Color aquatint and etching on Arches laid paper, circa 1898. Ref: BN-IFF 9-11. Seemingly an edition of 200 (i...
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