Seated Man or Sailor Smoking
McCLELLAN POTTER, Louis
Color aquatint & etching printed on Arches laid paper.Reference: Cate & Grivel 143 (ill. page 115).Edition of 50.
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Color aquatint & etching printed on Arches laid paper.Reference: Cate & Grivel 143 (ill. page 115).Edition of 50.
Color aquatint and etching printed on laid Arches paper.Edition of 50.Signed and numbered in pencil.
Coucher de Soleil sur la Lagune de Venise (descriptive French title) Color aquatint on wove paper, n.d.Edition of 50.Signed and numbered “tir à 50 ...
View full detailsGrenouilles (original French title) Color aquatint on chine paper, 1894.References: Stein and Karshan 36; Boyer and Cate 36.Artist’s proof aside fr...
View full detailsLuz Do Dia (original Portugese title) Embossed color aquatint and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Publishe...
View full detailsChiens d’Arrêt (original French title) Aquatint and soft-ground etching printed in color on wove paper.Likely an edition of 50.The dogs depicted ar...
View full detailsFenêtre d’Eté (original French title) Embossed color aquatint and drypoint on wove paper, 1983.Printed to the sheet edge, as usual.Artist’s proof. ...
View full detailsAquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
View full detailsEn Bretagne, Eaux-Fortes et Lithographies par Maufra (original French title) Color etching & aquatint on wove paper, 1894.Refs: BN-IFF 11.2; Ca...
View full detailsLa Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
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