Cachoum
DORNY, Bertrand
Embossed color aquatint with a touch of drypoint printed on Arches wove paper. Edition of 25 or 4 artist's proofs (hard to decipher). Regulard edit...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Embossed color aquatint with a touch of drypoint printed on Arches wove paper. Edition of 25 or 4 artist's proofs (hard to decipher). Regulard edit...
View full detailsColor aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "35/40" in pencil.
Color aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "4/40" in pencil. TO SEE M...
View full detailsL’Eternel Naufrage (original French title) Color aquatint on wove paper.Edition of 75.Signed and numbered “9/75” in pencil. TO SEE MORE WORKS OF AR...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Color aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
The title seems to be a name, Deviah, Devish. The spelling is uncertain. Any insight would be welcome. Cut-out aquatint and soft-ground etching, ...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsDéplacement (original French title) Aquatint printed black ink on BFK Rives wove paper, with a silver background tint, 1975. Edition of 100. Publis...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.5.Edition of 100. Signed, titled, and numbered in pencil. NOTE:...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.4.Edition of 100.Signed, titled, and numbered in pencil. Condit...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.3.Edition of 100. Signed, titled, and numbered in pencil. NOTE:...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.1.Edition of 100.Signed, titled, and numbered in pencil. NOTE: ...
View full detailsColor viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
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