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The Small Funeral
BUHOT, Felix
Le Petit Enterrement (original French title) Aquatint, etching and roulette, with a touch of drypoint, printed on wove paper.Reference: Bourcard &a...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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Le Petit Enterrement (original French title) Aquatint, etching and roulette, with a touch of drypoint, printed on wove paper.Reference: Bourcard &a...
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Color aquatint and etching printed on wove paper.Edition of 50.Signed and numbered in pencil.
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Les Lutteurs: Une Prise (original French title) Soft-ground, etching, aquatint & drypoint printed in color on Arches laid paper.Reference: Taba...
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Lieu de Rencontre – St Maximin (original French title) Color etching and aquatint on BFK Rives wove paper.Edition of 50.Signed, titled, numbered an...
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FELIX BUHOT (1847-1898) National Holiday on the Boulevard de Clichy La Fête nationale au Boulevard Clichy (original French title) Etching, aquatint...
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Les Voisins de Campagne (original French title) Etching, drypoint and aquatint on wove paper, circa 1878-80.Reference: Bourcard & Goodfriend 14...
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Le Baptême à Tréboul (original French title) Color aquatint and etching on Arches wove paper.Edition unknown, but like most of the artist’s work s...
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Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
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Démolitions Rue Lepic (original French title) Etching and aquatint on laid Arches paper.Reference: Delteil 14; BN-IFF 3. Early state before further...
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Une Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
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L’Hiver à Paris or La Neige à Paris (original French titles) Etching, aquatint, scraper, and drypoint on laid paper.Reference: Bourcard & Goodf...
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La Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
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Etching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
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Coin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
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Etching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
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"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
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Matinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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La Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
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