Birds of Prey
PROUVE, Victor
Oiseaux de Proie (original French title) Etching and aquatint printed in olive-green on Arches laid paper.Reference: Stein & Karshan 55.Edition...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Oiseaux de Proie (original French title) Etching and aquatint printed in olive-green on Arches laid paper.Reference: Stein & Karshan 55.Edition...
View full detailsLa Vague or La Mer (original French titles) Etching and aquatint printed on laid paper.Reference: Cate & Grivel 104 (ill. pg. 122).Edition of 3...
View full detailsSur la Plage (original French title) Color aquatint printed on wove Van Gelder paper.Reference: BN-IFF pg. 155.Signed and numbered "43/60" in penci...
View full detailsThe La Rochelle Harbor (English title translation) After Paul SIGNAC (1863-1935).Colo aquatint printed on wove paper.Reference: Ginestet & Poui...
View full detailsLa Chaland (original French title) Aquatint and soft-ground etching. Also titled "La Peniche". Printed in color on laid paper. Refs: Addade pg. 4...
View full detailsUne Débarquement en Angleterre (original French title) Etching, drypoint and aquatint on laid japon paper.Ref: Bourcard/Goodfriend 130 v/v.Fifth an...
View full detailsCoucher de Soleil sur la Lagune de Venise (descriptive French title) Color aquatint on wove paper, n.d.Edition of 50.Signed and numbered “tir à 50 ...
View full detailsColor aquatint, spitbite (?) and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Published by Galerie Antarès, Paris, with...
View full detailsAquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsRetour de la Pêche, la Nuit (original French title) Etching and aquatint on laid paper, 1890.Reference: Morane 16.From the edition stated at 50, bu...
View full detailsQuatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
View full detailsAfter Alphonse OSBERT (1857 – 1939)Etched by René LORRAIN (1873 – after 1939) Soir Antique (original French title) Color aquatint on thick Arches ...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsEn Bretagne, Eaux-Fortes et Lithographies par Maufra (original French title) Color etching & aquatint on wove paper, 1894.Refs: BN-IFF 11.2; Ca...
View full detailsLa Traversée - A Holyday, Rain, Storm and Music (original title) Etching, aquatint, roulette, and drypoint on laid paper.Reference: Bourcard & ...
View full detailsEmbarcadère à Trouville (original French title) Etching, aquatint, and drypoint on white laid paper.Reference: Bourcard & Goodfriend 126 iii/v....
View full detailsLe Peintre de Marine (original French title) Etching, aquatint, likely with touches of drypoint, on laid paper.Reference: Bourcard & Goodfriend...
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