Clair de Lune
LAFITTE, Alphonse
Aquatint on wove MBM paper. Signed in black crayon "Alphonse Lafitte", a well-documented pseudonym for artist Manuel Robbe. Signed in black crayon....
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Aquatint on wove MBM paper. Signed in black crayon "Alphonse Lafitte", a well-documented pseudonym for artist Manuel Robbe. Signed in black crayon....
View full detailsLe Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any. We have never encou...
View full detailsLe Départ de la Course or Avant la Course (original French title) Color aquatint and etching on laid Arches paper.Edition unknown. Likely 50 or 6...
View full detailsPluie et Vent à Pedro Leopold (original French title) Embossed color drypoint and aquatint on wove paper.Printed to the sheet edge, as usual.Editio...
View full detailsRivière Ombragée (descriptive French title)Color aquatint printed on Arches laid paper.Artist's proof, before the edition.Published by Georges Peti...
View full detailsPrairie et Moulin à Osny (original French title) Etching, drypoint and aquatint on thin laid paper.Reference: Delteil 59 vi/vi.Bon à tirer impressi...
View full detailsColor etching printed on thick wove paper. Edition unknown, probably small. Signed in pencil.
La Dame aux Cygnes (original French title) Drypoint, etching, aquatint and roulette on laid Arches paper. Reference: Bourcard & Goodfriend 44. ...
View full detailsColor aquatint & etching printed on Arches laid paper.Reference: Cate & Grivel 143 (ill. page 115).Edition of 50.
Sur la Plage (original French title) Color aquatint printed on wove Van Gelder paper.Reference: BN-IFF pg. 155.Signed and numbered "43/60" in penci...
View full detailsAquatint and etching on wove paper. Edition unknown. Signed and titled in pencil. Very fine impression in near perfect condition, aside from the fa...
View full detailsGrenouilles (original French title) Color aquatint on chine paper, 1894.References: Stein and Karshan 36; Boyer and Cate 36.Artist’s proof aside fr...
View full detailsLa Route de Landemer, Pointe de La Hague (original French title) Soft-ground etching and aquatint on laid Arches paper. Reference: Morane 7.Third s...
View full detailsLuz Do Dia (original Portugese title) Embossed color aquatint and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Publishe...
View full detailsEtching and aquatint printed in blue ink on simili-Japan paper.Edition unknown, but very likely small. This composition seems scarce. Signed and ti...
View full detailsColor etching and aquatint on simili-Japan paper. Edition unknown, but likely small. Signed and titled in pencil.
Quatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
View full detailsChiens d’Arrêt (original French title) Aquatint and soft-ground etching printed in color on wove paper.Likely an edition of 50.The dogs depicted ar...
View full detailsBuse Prise au Piège (original French title) Aquatint and etching printed in color on wove paper.Edition unknown, but apparently not very large.Like...
View full detailsFenêtre d’Eté (original French title) Embossed color aquatint and drypoint on wove paper, 1983.Printed to the sheet edge, as usual.Artist’s proof. ...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsFemme Nue Assise or Eve (descriptive French titles) Color etching and aquatint printed from four plates on Arches wove paper.We are presenting a gr...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
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