Morning Walk
RANFT, Richard
Promenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Promenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsCoin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
View full detailsEtching and aquatint on laid Arches paper. References: Beraldi 35; BN-IFF 79.The Bibliothèque Nationale mentions the existence of two states. Scar...
View full detailsEtching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsEtching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
View full detailsEtching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
View full detailsColor aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.5.Edition of 100. Signed, titled, and numbered in pencil. NOTE:...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.4.Edition of 100.Signed, titled, and numbered in pencil. Condit...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.3.Edition of 100. Signed, titled, and numbered in pencil. NOTE:...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.1.Edition of 100.Signed, titled, and numbered in pencil. NOTE: ...
View full details"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
View full detailsCochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...
View full detailsLa Traversée - A Holyday, Rain, Storm and Music (original title) Etching, aquatint, roulette, and drypoint on laid paper.Reference: Bourcard & ...
View full detailsLa Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
View full detailsEmbarcadère à Trouville (original French title) Etching, aquatint, and drypoint on white laid paper.Reference: Bourcard & Goodfriend 126 iii/v....
View full detailsLe Hibou (original French title) Etching, aquatint, roulette, and drypoint on olive-greenish laid paper, 1893.Reference: Bourcard & Goodfriend ...
View full detailsLes Bergeries, Soleil Couchant (original French title) Etching and aquatint printed in warm brownish-black ink on simili-japon wove paper.Reference...
View full detailsMatinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
View full detailsLa Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
View full detailsLa Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
View full detailsLe Potin (original French title) Aquatint and drypoint on wove paper. Reference: Ginestet et Pouillon 96. Undescribed state proof, between the firs...
View full detailsColor aquatint and soft-ground etching on wove paper, 1900.Reference: Koehl E110.Edition of 50.Signed and numbered in pencil. Cléo de Mérode (1875-...
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